On 11-12 December 2017, Nothing in the Nothingness, an opera by alumnus composer Daniel Zajicek (MM 2006) and John Grimmet was performed by the Nautilus Music-Theater in Minneapolis/Saint Paul. This one-act operatic monologue chronicles the thought process of a young man trapped in a coma, and explores what it means to be alive and functioning in a vegetative state when consciousness is not possible. It featured Nautilus performers Eric Morris and Cathleen Fuller, with music director Mind Eschendor.

Alumnus composer Daniel Sabzghabaei's (BM 2014) recent New York Festival of Song commission, At The Door, will receive a reprise in the Spring of 2019, on a program entitled Hyphenated Americans, as part of the NYFOS main-stage season, Wednesday 20 February 2019 at the Kaufman Music Center, inside Merkin Hall.

Works by two UNT composers have been selected for performance on the 2018 SCI Student National Conference at Indiana University Jacobs School of Music (September 2018): doctoral composer Jacob Thiede's work And everything in-between for flute and computer music, and alumnus composer Daniel Sabzghabaei's (BM 2014) wind ensemble work, ThruDimension, the latter of which will be performed by the IU Symphonic Band, conducted by Prof. Eric M. Smedley.

Faculty composer Joseph Klein will be the featured speaker at two concerts by Orchestra 2001 in April 2018, including the Philadelphia premiere of Frank Zappa's The Yellow Shark at The Fillmore Philly in April 2018.  This residency was supported by a grant from The Pew Center for Arts & Heritage, and will also include a program of works by Edgard Varèse, Igor Stravinsky, Anton Webern, and Pierre Boulez.

Nine UNT-affiliated composers were selected to participate in the SEAMUS 2018 Conference at the University in St. Cloud of Oregon, 29-31 March 2018: faculty members Panayiotis Kokoras and Marco Buongiorno Nardelli, students Miguel Espinel, Christopher Poovey, and Mark Vaughn, and alumni Paul Thomas, David Gedosh, Eli Fieldsteel, and Mikel Kuehn.  

Graduate composer Bihe Wen’s composition Regression for fixed media was selected from among more than 450 submissions for performance at the ISCM World New Music Days held at the Beijing Modern Music Festival, 19-26 May 2018.  It was also selected for performance in Semaine internationale de la musique électroacoustique SIME 2018, 18-24 April 2018, at the Université Lille in Lille, France.

Doctoral composer Michael Smith presented his research on using Virtual Reality for 3D spatialization at the Sounds in Space conference at the University of Derby (England) in June 2018. Michael discussed his software VRSoundMapper and its various options for positioning sounds in a 3D sound field. 

Alumnus composer Daniel Sabzghabaei (BM 2014) was recently selected for Beth Morrison Projects' new BMP: Next Generation program. Through this initiative, Daniel will be working with distinguished NYC-based chamber ensemble Contemporaneous and conductor David Bloom in a series of workshops in NYC, culminating in a performance of his work Two Reflections on The Belovèd at National Sawdust in Brooklyn on 17 March 2018.