About the Program

The composition program at the University of North Texas is one of the largest and most diverse in the nation, with approximately 70 composition students and seven faculty members representing a variety of compositional aesthetics and approaches. Regular guest composer residencies, visiting new music specialists, and dozens of events each year provide students with a rich educational and artistic experience.

An interdisciplinary center within UNT’s Division of Composition Studies, the Center for Experimental Music & Intermedia (CEMI) provides a unique environment for the exploration of time-based arts and is internationally renowned for its long history of innovation, particularly in the realm of electroacoustic music. Students, faculty, guests, and collaborators from a variety of disciplines engage in research, creation, and performance in CEMI’s six production studios and the Merrill Ellis Intermedia Theater.

Music Now is the weekly composition departmental meeting, an open forum for the exchange of ideas and information about the creation, performance, and understanding of recent music. These forums, which are typically scheduled Mondays at 11:00-11:50 am, feature presentations by UNT faculty and students as well as visiting composers, scholars, and interpreters of new music.

Nova is the new music ensemble of the University of North Texas. In keeping with its mission to present a diversity of musical, aesthetic, and cultural experiences, Nova’s repertoire ranges from 20th century classics to works that incorporate the latest musical innovations. Students in the ensemble have opportunities to work with faculty and guest composers and are occasionally joined by faculty and guest performers. Performances and workshops have included music by composition students as well.

The Spectrum concert series features new solo and chamber works for instruments and voices, often utilizing new technologies and intermedia. These programs are presented throughout the fall and spring semesters, and are listed in the calendar section of this website.

The Composers Forum is a student organization devoted to coordinating performances and bringing new works to public attention. The organization was formed to foster the spirit of collaboration between composers, performers, and artists of all kinds throughout the UNT community.

The Initiative for Advanced Research in Technology and the Arts (iARTA) is an interdisciplinary research cluster represented by faculty from across a wide spectrum of the arts, engineering and sciences. iARTA activities include scholarship, creative research and technical development at the leading edges of emergent media practice; the resulting research areas are represented by diverse forms such as telematic performance, immersive installation, robotic sculpture, mobile networks, and art-science collaboration. The cluster also publishes the MOEBIUS Journal, which explores the intersection of theory and practice in electronic arts.

2014-15 Guest Artists

Upcoming Events

  • Oct
    19
    Music Now
    • Guest composer Balázs Horváth [tentative]
    • Merrill Ellis Intermedia Theater
    • 11:00am
  • Nov
    09
    Music Now
    • Guest artists eighth blackbird [tentative]
    • Merrill Ellis Intermedia Theater
    • 11:00am
  • Nov
    20
    Music Now
    • Guest composer Ivo Medek
    • Merrill Ellis Intermedia Theater
    • 11:00am

Recent Division News

  • Alumnus Jon Anderson's electroacoustic work for fixed media, dash.em, was selected for performance at the regional Society of Composers Inc. Conference hosted by Clarke University. His work for fixed media and video luft am morgen, was selected for performance at the 2013 New York City Electroacoustic Music Festival at the Graduate Center at CUNY. Both works were also invited for performance at the 2013 Electronic Music Midwest Mini-Festival, part of the New Sounds Festival 2013 hosted by Western Michigan University.

  • Doctoral composition candidate Dan Tramte was recently appointed to a teaching assistant position in the Music Department at Harvard University (spring 2014). He teaches two sections of Music 2: Foundations of Tonal Music, a theory course designed for non-music majors.

  • Faculty composer Panayiotis Kokoras and alumnus Joshua Harris (PhD 2013) were two of the nineteen composers selected for the juried recording project, SEAMUS Electroacoustic Miniatures 2013: Negative Space.

  • Recent composition graduate Joshua Harris (PhD 2013) has accepted a tenure-track position in music at Sweet Briar College in Virginia, where he will be teaching theory, composition, and electronic music, as well as directing the school's music theater productions. He will begin his appointment in the fall of 2014.

  • Doctoral Student Mark Oliveiro has been awarded the 2013 International Computer Music Association's Prize in the Student category, for his composition Sikinnis, for soprano saxophone and live electronics.

  • On 27 April 2014, Mivos quartet will perform Panayiotis Kokoras' Holophony for string quartet during the Northwestern University New Music Conference (NUNC!) Panayiotis will also give a presentation titled "Ensemble Holophony Project: Perspectives on Instrumental Sound-based Composition."

  • The Atlantic Coast Conference Band Directors' Association (ACCBDA) has named UNT alumnus Eli Fieldsteel (MM 2010) as the sole recipient of the 2014 James E. Croft Grant for Young and Emerging Composers. The twelve schools that comprise the ACCBDA will hold exclusive performance rights through 2015.

  • This year's International Computer Music Conference, which takes place in Perth, Australia on 11-17 August 2013, will include works by four UNT-affiliated composers: doctoral composer Mark Oliveiro (Sikinnis), alumni Yu-Chung Tseng (Fantasy) and Jing Wang (Brahmanda), and Bourges residency composer

  • Eleven UNT-affiliated composers were selected to participate in the SEAMUS 2014 Conference at Wesleyan University in Middletown, CT, 27-29 March 2014: faculty composer Jon Nelson; student composers Stephen Lucas, Mark Oliveiro, Clay Allen, and Jen Hill; alumni composers Paul Thomas, Greg Dixon, Eli Fieldsteel, Chapman Welch, and Peter McCulloch; and former faculty composer Butch Rovan.

  • Oregon State Parks selected Alumna composer Christina Rusnak (MA 2010) to compose a work for the new Cottonwood Canyon State Park. Canyon Voices explores the natural and cultural heritage of the John Day River basin. In August 2014, The Life of Ashes, exploring Mt. Adams through the lens of wildfire, was premiered in Hood River Oregon commemorating the 50th Anniversary of the Wilderness Act.