About the Program

The composition program at the University of North Texas is one of the largest and most diverse in the nation, with approximately 70 composition students and seven faculty members representing a variety of compositional aesthetics and approaches. Regular guest composer residencies, visiting new music specialists, and dozens of events each year provide students with a rich educational and artistic experience.

An interdisciplinary center within UNT’s Division of Composition Studies, the Center for Experimental Music & Intermedia (CEMI) provides a unique environment for the exploration of time-based arts and is internationally renowned for its long history of innovation, particularly in the realm of electroacoustic music. Students, faculty, guests, and collaborators from a variety of disciplines engage in research, creation, and performance in CEMI’s six production studios and the Merrill Ellis Intermedia Theater.

Music Now is the weekly composition departmental meeting, an open forum for the exchange of ideas and information about the creation, performance, and understanding of recent music. These forums, which are typically scheduled Mondays at 11:00-11:50 am, feature presentations by UNT faculty and students as well as visiting composers, scholars, and interpreters of new music.

Nova is the new music ensemble of the University of North Texas. In keeping with its mission to present a diversity of musical, aesthetic, and cultural experiences, Nova’s repertoire ranges from 20th century classics to works that incorporate the latest musical innovations. Students in the ensemble have opportunities to work with faculty and guest composers and are occasionally joined by faculty and guest performers. Performances and workshops have included music by composition students as well.

The Spectrum concert series features new solo and chamber works for instruments and voices, often utilizing new technologies and intermedia. These programs are presented throughout the fall and spring semesters, and are listed in the calendar section of this website.

The Composers Forum is a student organization devoted to coordinating performances and bringing new works to public attention. The organization was formed to foster the spirit of collaboration between composers, performers, and artists of all kinds throughout the UNT community.

The Initiative for Advanced Research in Technology and the Arts (iARTA) is an interdisciplinary research cluster represented by faculty from across a wide spectrum of the arts, engineering and sciences. iARTA activities include scholarship, creative research and technical development at the leading edges of emergent media practice; the resulting research areas are represented by diverse forms such as telematic performance, immersive installation, robotic sculpture, mobile networks, and art-science collaboration. The cluster also publishes the MOEBIUS Journal, which explores the intersection of theory and practice in electronic arts.

2015-16 Guest Artists

Upcoming Events

  • Feb
    08
    Music Now
    • TrioPolis — Collaborations with UNT Composers
    • Merrill Ellis Intermedia Theater
    • 11:00am
  • Feb
    08
    Faculty Recital
    • TrioPolis — new music for clarinet, violin, and piano
    • Recital Hall
    • 8:00pm
  • Feb
    15
    Music Now
    • Panel Discussion: Career Services for Composers [tentative]
    • Merrill Ellis Intermedia Theater
    • 11:00am
  • Feb
    15
    Spectrum
    • Sponsored by Composers Forum
    • Merrill Ellis Intermedia Theater
    • 8:00pm
  • Feb
    29
    Music Now
    • UMS n’ JIP (Ulrike Mayer-Spohn and Javier Hagen), Recorder/Voice Duo
    • Merrill Ellis Intermedia Theater
    • 11:00am

Recent Division News

  • Doctoral composer Timothy Harenda has been selected as one of four finalists in the 2016 ASCAP/SEAMUS Student Commission Competition, for his work Purple Quartz. Winners will be announced at the SEAMUS conference in February.

  • Faculty composers Joseph Klein and Panayiotis Kokoras will have works performed at the New York City Electroacoustic Music Festival in June 2015. Other featured composers include UNT alumni Mikel Kuehn (BM 1989) and Yu-Chung Tseng (MM 1994; DMA 1998), and incoming doctoral composer Jinghong Zhang.

  • Elizabeth McNutt performed at the National Flute Association Convention, including a work written for her by her mentor Harvey Sollberger. The Nova Ensemble, directed by Elizabeth McNutt, premiered Unset by faculty composer Andrew May, at Donald Judd's kilometer long masterpiece 15 untitled works in concrete at the Chinati Foundation in Marfa, TX on 1 August 2015.

  • Alumnus composer Greg Dixon (PhD 2012) received a commission from the Instruments India Composition Commission, sponsored by Liverpool Hope University and Milapfest, Britain’s leading Indian arts development trust. The commission grants Dixon exclusive access to a sound library of traditional Indian instruments that he will use to create new music.

  • Elizabeth McNutt performed four works, including two by UNT faculty, at the International Computer Music Conference, hosted by UNT. She recently received a grant from the Earle Brown Music Foundation, in support of her series Sounds Modern, for upcoming performances in Dallas and Fort Worth (2016 and 2017). Her recent collaborations include premieres by Andrew May and local composer Sungji Hong.

  • In the 2015 call for scores by the Los Angeles-based concert series wasteLAnd, three of the four selected composers out of 830 entries were from UNT: Ryan Fellhauer, Timothy Harenda, and Panayiotas Kokoras. A fourth UNT composer, Chaz Underriner, received an honorable mention.

  • Seven UNT-affiliated composers were selected to participate in the SEAMUS 2016 Conference at Georgia Southern University in Statesboro, GA, 11-13 February 2016: faculty composer Andrew May; student composer Timothy Harenda; and alumni composers Elainie Lillios, Chapman Welch, David Gedosh,

  • UNT alumnus Eli Fieldsteel (MM 2010) has accepted a one-year position as an Assistant Professor of Music Theory at Ball State University (Muncie, IN), where he will be teaching composition and music technology during the 2015-2016 academic year.

  • A recording of An Unaware Cosmos, a modular cycle of mixed chamber works by faculty composer Joseph Klein was published in the January issue of ink&coda, an online journal of prose and music.

  • Doctoral composer Seth Shafer has been invited to present his paper "Temporal Models in Live-Generative Music Notation" at the second New Music Conference and Festival (NUNC! 2) in November 2015 at the Bienen School of Music on the campus of Northwestern University.