About the Program

The composition program at the University of North Texas is one of the largest and most diverse in the nation, with approximately 70 composition students and seven faculty members representing a variety of compositional aesthetics and approaches. Regular guest composer residencies, visiting new music specialists, and dozens of events each year provide students with a rich educational and artistic experience.

An interdisciplinary center within UNT’s Division of Composition Studies, the Center for Experimental Music & Intermedia (CEMI) provides a unique environment for the exploration of time-based arts and is internationally renowned for its long history of innovation, particularly in the realm of electroacoustic music. Students, faculty, guests, and collaborators from a variety of disciplines engage in research, creation, and performance in CEMI’s six production studios and the Merrill Ellis Intermedia Theater.

Music Now is the weekly composition departmental meeting, an open forum for the exchange of ideas and information about the creation, performance, and understanding of recent music. These forums, which are typically scheduled Mondays at 11:00-11:50 am, feature presentations by UNT faculty and students as well as visiting composers, scholars, and interpreters of new music.

Nova is the new music ensemble of the University of North Texas. In keeping with its mission to present a diversity of musical, aesthetic, and cultural experiences, Nova’s repertoire ranges from 20th century classics to works that incorporate the latest musical innovations. Students in the ensemble have opportunities to work with faculty and guest composers and are occasionally joined by faculty and guest performers. Performances and workshops have included music by composition students as well.

The Spectrum concert series features new solo and chamber works for instruments and voices, often utilizing new technologies and intermedia. These programs are presented throughout the fall and spring semesters, and are listed in the calendar section of this website.

The Composers Forum is a student organization devoted to coordinating performances and bringing new works to public attention. The organization was formed to foster the spirit of collaboration between composers, performers, and artists of all kinds throughout the UNT community.

The Initiative for Advanced Research in Technology and the Arts (iARTA) is an interdisciplinary research cluster represented by faculty from across a wide spectrum of the arts, engineering and sciences. iARTA activities include scholarship, creative research and technical development at the leading edges of emergent media practice; the resulting research areas are represented by diverse forms such as telematic performance, immersive installation, robotic sculpture, mobile networks, and art-science collaboration. The cluster also publishes the MOEBIUS Journal, which explores the intersection of theory and practice in electronic arts.

2016-17 Guest Artists

Upcoming Events

  • Aug
    28
    Music Now
    • Introductory Meeting and CEMI Open House
    • Merrill Ellis Intermedia Theater
    • 11:00am
  • Sep
    07
    Student Evaluation
    • Senior Recital Hearings, etc.
    • Merrill Ellis Intermedia Theater
    • 12:30pm
  • Sep
    11
    Music Now
    • Topic TBA
    • Merrill Ellis Intermedia Theater
    • 11:00am
  • Sep
    18
    Music Now
    • Topic TBA
    • Merrill Ellis Intermedia Theater
    • 11:00am
  • Sep
    25
    Music Now
    • Topic TBA
    • Merrill Ellis Intermedia Theater
    • 11:00am

Recent Division News

  • Undergraduate Composer Sam Mikulewicz's work Himawari was selected for performance at the April 2016 Sound Of Dragon Chinese Music Festival in Vancouver, BC, Canada. Sam was one of ten composers selected among entries from twelve countries, and the only American composer whose work was selected for performance.

  • Seven UNT-affiliated composers were selected to participate in the SEAMUS 2016 Conference at Georgia Southern University in Statesboro, GA, 11-13 February 2016: faculty composer Andrew May; student composer Timothy Harenda; and alumni composers Elainie Lillios, Chapman Welch, David Gedosh,

  • David Stout has co-founded a working group at the Santa Fe Institute (SFI) with ecologist and complexity scientist, Dr. Jennifer Dunn. The Ecological Data Dramatization Art & Science working group will focus on the dramatization of ecological data sets integrating sonification, visualization and immersive staging. The project commences in March 2016 and will bring together the Santa Fe Institute and the Institute of American Indian Arts (IAIA) with the University of North Texas and the University of Denver.

  • Alumnus composer Daniel Sabzghabaei (BM 2014) was one of four composers selected by the choral ensemble Magpies and Ravens for their LINEAGE program. Daniel will receive mentoring from composer Paul Rudoi and the ensemble, culminating in two performances of his work Delbaré for SATB a cappella choir on 12-13 March 2016 in Minneapolis, MN.

  • David Stout has co-founded a working group at the Santa Fe Institute (SFI) with ecologist and complexity scientist, Dr. Jennifer Dunn. The Ecological Data Dramatization Art & Science working group will focus on the dramatization of ecological data sets integrating sonification, visualization and immersive staging. The project commences in March 2016 and will bring together the Santa Fe Institute and the Institute of American Indian Arts (IAIA) with the University of North Texas and the University of Denver.

  • Alumnus composer Sam Melnick was selected as winner in the Third Coast Trombone Retreat's first Call For Scores Competition. Fanfare for Many Cars Stuck in Way Too Much Traffic on a Two Lane Highway was premiered in Montague, Michigan on 21 June 2015 by the Anthony P. Hopkins Memorial Trombone Choir.

  • Jon Christopher Nelson has had two works selected for programming at the International Computer Music Conference in Utrecht, Netherlands, on 12-15 September 2016: Illusory Lines for 8-channel fixed media and Inside a Cloud of Butterflies for classical guitar and interactive electronics. The international jury selected 116 compositions for performance from approximately 600 submissions.

  • Landscape Series: 1 by alumnus composer Chaz Underriner (PhD 2016) is one of five works selected (out of 288 submissions from composers in 36 countries) as a finalist for the prestigious 2017 Gaudeamus Award in Composition. His work will receive a performance at the Gaudeamus Muziekweek in September 2017, at which time the award winner will be announced.

  • Electroacoustic works Contemplating Larry by alumna composer Elainie Lillios (DMA 2000) and Regression by graduate composer Bihe Wen were two of thirteen prizewinners selected from a pool of 109 composers from 25 different countries in the Concours de Composition Acousmatique Métamorphoses 2016.

  • Alumnus composer Sam Melnick (BM 2015) was selected as one of eight finalists (out of over 60 submissions from 13 countries) in Novus New Music, Inc's first annual call for scores (2016).