About the Program

The composition program at the University of North Texas is one of the largest and most diverse in the nation, with approximately 70 composition students and seven faculty members representing a variety of compositional aesthetics and approaches. Regular guest composer residencies, visiting new music specialists, and dozens of events each year provide students with a rich educational and artistic experience.

An interdisciplinary center within UNT’s Division of Composition Studies, the Center for Experimental Music & Intermedia (CEMI) provides a unique environment for the exploration of time-based arts and is internationally renowned for its long history of innovation, particularly in the realm of electroacoustic music. Students, faculty, guests, and collaborators from a variety of disciplines engage in research, creation, and performance in CEMI’s six production studios and the Merrill Ellis Intermedia Theater.

Music Now is the weekly composition departmental meeting, an open forum for the exchange of ideas and information about the creation, performance, and understanding of recent music. These forums, which are typically scheduled Mondays at 11:00-11:50 am, feature presentations by UNT faculty and students as well as visiting composers, scholars, and interpreters of new music.

Nova is the new music ensemble of the University of North Texas. In keeping with its mission to present a diversity of musical, aesthetic, and cultural experiences, Nova’s repertoire ranges from 20th century classics to works that incorporate the latest musical innovations. Students in the ensemble have opportunities to work with faculty and guest composers and are occasionally joined by faculty and guest performers. Performances and workshops have included music by composition students as well.

The Spectrum concert series features new solo and chamber works for instruments and voices, often utilizing new technologies and intermedia. These programs are presented throughout the fall and spring semesters, and are listed in the calendar section of this website.

The Composers Forum is a student organization devoted to coordinating performances and bringing new works to public attention. The organization was formed to foster the spirit of collaboration between composers, performers, and artists of all kinds throughout the UNT community.

The Initiative for Advanced Research in Technology and the Arts (iARTA) is an interdisciplinary research cluster represented by faculty from across a wide spectrum of the arts, engineering and sciences. iARTA activities include scholarship, creative research and technical development at the leading edges of emergent media practice; the resulting research areas are represented by diverse forms such as telematic performance, immersive installation, robotic sculpture, mobile networks, and art-science collaboration. The cluster also publishes the MOEBIUS Journal, which explores the intersection of theory and practice in electronic arts.

2016-17 Guest Artists

Upcoming Events

  • Dec
    08
    Student Evaluation
    • Composition Juries, etc.
    • Merrill Ellis Intermedia Theater
    • 12:30pm
  • Dec
    12
    Reading Session
    • 1180, 1190, 3080, 3090 students
    • Merrill Ellis Intermedia Theater
    • 9:30am
  • Jan
    23
    Music Now
    • Colloquium, sponsored by Composers Forum [tentative]
    • Merrill Ellis Intermedia Theater
    • 11:00am
  • Jan
    26
    Student Evaluation
    • Senior Recital Hearings, etc.
    • Merrill Ellis Intermedia Theater
    • 12:30pm
  • Jan
    30
    Music Now
    • TBA
    • Merrill Ellis Intermedia Theater
    • 11:00am

Recent Division News

  • Seven UNT-affiliated composers were selected to participate in the SEAMUS 2016 Conference at Georgia Southern University in Statesboro, GA, 11-13 February 2016: faculty composer Andrew May; student composer Timothy Harenda; and alumni composers Elainie Lillios, Chapman Welch, David Gedosh,

  • New Motive Power, a work by undergraduate composer Brandon Maahs, received an Honorable Mention in the Texas A&M University Composition Competition and Symposium, one of the final three from among 46 submissions.

  • Works by graduate composers Bihe Wen and Michael Smith, as well as alumnus Dave Gedosh (DMA 2009), are among 24 works selected from 289 submissions from around the world for the ARS ELECTRONICA FORUM WALLIS 2016, to be held in Switzerland in May.

  • Doctoral composer Timothy Harenda has been selected as one of four finalists in the 2016 ASCAP/SEAMUS Student Commission Competition, for his work Purple Quartz. Winners will be announced at the SEAMUS conference in February.

  • Alumnus Daniel Sabzghabaei (BM 2014) was especially active and productive during the summer 2016. He was a production intern at the Ojai Music Festival (Ojai, CA, 9-12 June), where he worked alongside artistic director Peter Sellars, as well as festival artists Kaija Saariaho, Roomful of Teeth, and Claire Chase and the International Contemporary Ensemble, among others.

  • Glint for solo tenor trombone by alumna Lisa Bost-Sandberg (DMA in flute performance, 2014; related field in composition) won the 2016 American Trombone Workshop Composition Competition and was performed at the Workshop in Arlington, Virginia, on 12 March 2016.

  • Undergraduate Composer Sam Mikulewicz's work Himawari was selected for performance at the April 2016 Sound Of Dragon Chinese Music Festival in Vancouver, BC, Canada. Sam was one of ten composers selected among entries from twelve countries, and the only American composer whose work was selected for performance.

  • Graduate composer Christopher Poovey will have his piece Dripstone, for baritone saxophone and stereo fixed media,​ performed on 15 October 2016 at the Jayu Theater in the Seoul Arts Center as part of the 2016 Seoul International Computer Music Festival.

  • Jon Christopher Nelson has had two works selected for programming at the International Computer Music Conference in Utrecht, Netherlands, on 12-15 September 2016: Illusory Lines for 8-channel fixed media and Inside a Cloud of Butterflies for classical guitar and interactive electronics. The international jury selected 116 compositions for performance from approximately 600 submissions.

  • Landscape Series: 1 by alumnus composer Chaz Underriner (PhD 2016) is one of five works selected (out of 288 submissions from composers in 36 countries) as a finalist for the prestigious 2017 Gaudeamus Award in Composition. His work will receive a performance at the Gaudeamus Muziekweek in September 2017, at which time the award winner will be announced.